FORM FOLLOWS ATTITUDE
Munich

Networking Creativity


19.30h

22 Oct. 2018

The Lovelace,
Kardinal-Faulhaber-Strasse 1
Munich, Germany



Searching for new forms of expression, more and more artists are starting to interact with other disciplines - increasingly using their methods and work practices. In this context networks have become significant sources of inspiration for creative, design and artistic practices.

In Munich, a city with a remarkable number of start-up companies, the panel discussion “Sculpture Network Lab” on October 22, 2018 concentrated on the topic of networking creativity.

This event brought scientists, architects and artists together - all of whom are working at the interface between the solitary rooms of their studios and contemporary networks. How do these networks influence the creative process, their innovation of design and their artistic intuition? Are there still clear principles in the artistic process or is the creative process just a cryptographic chain in a decentrally led system?

The panel discussion “Networking Creativity” is part of the event series Sculpture Network Lab”. In 2018 the theme of this series is “form follows attitude” - thus focusing on the attitude behind the form. “Sculpture Network Lab” illustrates ideas and sheds light on the social political relevance of art while increasing awareness of the social significance thereof.

In the framework of the opening event “Technology Matters” held in mid-June 2018 in Amsterdam Anne Berk, Robert Henderson, Lonneke Gordjin and Eva Wolf talked to architects, designers, artists and art historians about the range of influence that new technologies are having on design and creative processes, on creativity and on intuition. The heart of the discussion centered on the complex relationship between man, nature and technology.

In cooperation with Mucbook.
Sponsored by Waldemar Bonsels Stiftung.


READ MORE ABOUT THE MUNICH EVENT


SPEAKERS:


JÜRGEN ENNINGER

Leiter des „Kompetenzteams Kultur- und Kreativwirtschaft “
der Landeshauptstadt München

PROF. HOLGER FELTEN

Präsident der Akademie der Bildenden Künste Nürnberg
Designagentur „Rose Pistola“, München, Hamburg
Vertreter des hochschulübergreifenden Projektes „Leonardo“
(Zentrum für Kreativität und Innovation), Nürnberg

PROF. DR. MARTIN GESSMANN

Philosoph, Professor für Kultur- und Techniktheorien und
Ästhetik, Hochschule für Gestaltung, Offenbach am Main

JUDITH MANN

Architektin, Künstlerin, Pyrotechnikerin
„Effektschmiede GmbH“, Köln

MORITZ OSTRUSCHNJAK

Freischaff ender Choreograph, Tänzer, Performer, München

ALEXIS ZURFLÜH

Art Director, „(Team) Alexis Zurflüh“, München


MODERATION:

PETRA HERRMANN

Freie Journalistin, München

MINDMAP:

MARTINA FILSINGER

Freie Grafikerin, München
 

Curated by

EVA WOLF

with

WILLY HAFNER and ANGELIKA HEIN



MORE INFO ABOUT THE SPEAKERS



LOCATION:

The Lovelace / Foyer
Kardinal-Faulhaber-Strasse 1
80333 München
Website


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PAST EVENT:

TECHNOLOGY MATTERS

19 June 2018
19h.30h
Amsterdam,
Netherlands

SPEAKERS:


LONNEKE GORDIJN
Artist and Co-Founder Studio Drift, solo show at the Stedelijk Museum Amsterdam from 25.04 to 26-08

Technology and Intuition

ROBERT HENDERSON
Designer and Innovation Broker, Etcetera Design Innovation
The Exquisite Reality of Prototypes

ANNE BERK
Curator and Writer
Low tech and the shadowside of technology in the work of Atelier van Lieshout

EVA WOLF
Architect, Researcher
Form follows attitude: Technology Matters

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LOCATION:


Ferrotopia | NDSM/Atelier Van Lieshout
NDSM-werf / Tt. Neveritaweg / NL-1033 RG Amsterdam
Webpage


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ABOUT TECHNOLOGY MATTERS:


The world is changing, it is shaped by data and technology and is increasingly complex. Autonomous transportation has become reality. With additive printing processes new forms and complex structures can be created. A virtually enhanced world is becoming more and more of a parallel reality. In the age of “Cyberspace” and “Augmented Reality” creativity is becoming reproducible. “Artificial Intelligence” seems to have replaced imagination.

“Technology Matters – Amsterdam” was part of the event series “Sculpture Network Lab”.

With “Sculpture Network Lab” sculpture network is initiating a new series of international events to address current issues in a relaxed and open atmosphere in a dialog with representatives from three-dimensional art, from other subject areas such as economics, politics, philosophy and from the general public. Events will be held at special locations in various European cities. sculpture network Lab aims to make ideas visible and clearly define interests. Here it is a matter of being able to think outside the box, being interested in breaking through boundaries and utilizing new perspectives as inspiration for your own work.

In 2018 this series of events has the title “Form follows attitude”. In the foreground of this discussion is the attitude behind the form. The conference will crystallize ideas and pose questions to, among others, architects, artists, entrepreneurs, sociologists and philosophers.

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CAN ART EMBODY AN ATTITUDE?


Sculpture Network successfully started a new discussion series; The Sculpture Network Lab - the space for new ideas sheds light on the social-political relevance of architecture, art and design and is lively, courageous and innovative.

The platform for artistic utopia and design vision focuses on the connections between architecture and art in daily life and, in 2018, has the title Form Follows Attitude. In the framework of the opening event Technology Matters in May in Amsterdam Anne Berk, Lonneke Gordjin, Eva Wolf and Robert Henderson discuss, together with approximately 30 architects, designers, artists and art historians, the possible realms of influence contemporary technology has on design processes, creativity and intuition.

The complicated tangle of relationships between man, nature and technology is the focus of the futuristic sculptures and installations of the Amsterdam designers Lonneke Gordijn and Ralph Nauta. Studio Drift tries to reconcile nature and technology, this according to Lonneke Gordijn as she describes the work of the design studio she co-founded with Ralph Nauta in 2007. Their projects often begin with the question, “What would happen if I could...?” Similar considerations are also explored by architect Eva Wolf, curator of the Lab. In an introductory speech she considers the question of how new technologies influence the design process of architects and artists. Designers – or people in general – should, according to Wolf, view the inevitable digitization with a positive attitude and competently integrate the possibilities that these developments offer into their creative work and their lives while critically scrutinizing them.

For Eva Wolf and Lonneke Gordijn technology is a helpful tool. Using technology visionary ideas which appear to be impossible at the time can be depicted. “Sometimes”, says Lonneke Gordijn, “ideas are only utopian at first glance”. Similar to Robert Henderson, Director of Development at the architecture and design company Etcetera Design Innovation, Gordijn would like to work on technical solutions which make the improbable possible, feasible and visible.

As a designer Lonneke Gordijn wants people to realize their dreams. She and her partner hope to unite apparent opposites: technology and nature, science and fiction, lawfulness and intuition. For Lonneke Gordijn artistic interventions, in particular, can inspire people to have a positive image of their future. New technologies help her and her partner to bring creative ideas to life and to initiate design processes. However, Lonneke Gordijn admits, people are often too very busy with the technology visible in the foreground. They are in danger of forgetting the real world that is hidden behind the digital one. Curator and art critic Anne Berk views the accumulation of data in the context of digitalization even more critically. Berk forcefully describes a “smart dictatorship” of digital imperialism. Progressive digitalization and the unregulated collection of data manipulate people’s behavior. Using examples from projects from the van Lieshout studio, an interdisciplinary Dutch artists’ collective, Berk hopes to demonstrate that the uncontrolled use of technology makes people oversensitive. According to Berk, in the end so many people are lacking the ability to control, realize or start things themselves. In a digitized world many people are also lacking close proximity to nature. This is a connection that art, especially, could re-establish according to Lonneke Gordijn: “We want to increase people’s awareness of the present, to open their eyes to what is possible and to take away their fear of technological advances”. Studio Drift hopes to get people to stop for a moment, to be at peace and to consider their freedom – even if only for a few minutes.

However, freedom is a difficult thing. With Franchise Freedom, the title of an installation presented during the Art Basel Miami Beach 2017, Studio Drift reflects on this yearning. It shows 300 drones dancing and fluttering in the air – they are all equipped with LEDs, sensors and computer-aided swarm intelligence – seemingly bring nature and technology into balance. “Being released from gravity and all other conventions to rise up into the sky and disappear – for many people that represents total independence”, gushes Lonneke Gordijn. But if you look closer, then you see that the individual “drone birds” don’t really move freely in the flock. They are in constant communication with each other and have to follow certain rules in order to prevent crashes or even chaos. For Lonneke Gordijn this is similar for people. Anyone who is striving for absolute freedom cannot really experience it because people are part of a community.

Absolute freedom is an illusion. This fact was clearly illustrated at the Sculpture Network Lab event in Amsterdam. There is no natural state of freedom, people everywhere always have to fight for freedom – in art, just like in real life. Art or architecture which embody a certain attitude can give them strength and encourage them to do so.




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